As writers or artists, we’re often preoccupied with our work. But sometimes, real world events intrude and leave us feeling unable to summon the energy to be creative, or leave us questioning the value of art in the face of tragedy.
When there’s a disaster or an unfolding crisis on the news, it can sometimes paralyse us. Why am I writing books about spaceships or painting pictures of abstract nudes, you might think, when there’s been an appalling disaster or terrorist attack, or when the economy’s tanking and the threat of global warming seems so pressing and bleak? How can art possibly matter in such a world? What’s the point?
How do we, in short, keep functioning in a crisis?
When I start to feel that way, I think back to everything writers and artists have had to contend with in the past. Our Paelolithic ancestors daubed handprints on the walls of their caves, and carved figures from stone and wood. The Vikings told their sagas. Even as Rome fell, there were poets writing and sculptors sculpting. In the Dark Ages, people were still singing songs and telling folk tales. Poets wrote in the trenches of WWI. While the Cuban Missile Crisis raged, people were still reading and writing novels and short stories. In 1984, at the height of the Cold War, with nuclear obliteration seemingly imminent, movies and TV programmes were made and watched, books were written and paintings painted and sold.
Art doesn’t stop for history. In some ways, art is history. It’s the way we record how we feel about our present, and a window on the thoughts and feelings of the past. And it’s also one of the best means we have to influence the future.
The language of a civilisation determines its development. If that language is one of fear and exclusion, oppression and hatred, the phrases and concepts those words encapsulate become ingrained in the fabric of everyday thought. They become normalised, and therefore more readily accepted. But if the language employed is one that favours tolerance and empathy, it can be those qualities that come to the fore.
Art and fiction are important because they put us in the shoes of others. They create empathy and understanding, and promote education and intelligence. They allow us to share ideas and discuss what it means to be human, and unpack the fundamental commonalities we all share. They can reveal truths, expand our minds, and provide lifetimes of enjoyment. But most of all, they encourage us to dream of other, better worlds, and begin to imagine how we might reach them.
No single painting or novel can change the world, just as no single drop of rain can wash away a town. We may feel we have no control over global events. But culture is a cumulative phenomenon, and every drop helps create the flood.
We all need a little escapism sometimes. Life would be a drudge were we unable to escape into fantasy worlds now and again, and there’s nothing frivolous about providing readers with fictional boltholes. Indeed, it’s a vital role that bards have been playing right back into the dawn of prehistory.
As artists and writers, our work allows us to express what’s in our minds and hearts. As consumers, it can comfort and distract us; but it can also educate and inspire, and nourish our souls. If we ever lost our art and fiction – or simply gave up producing them – we’d have lost a fundamental part of ourselves, and be all the poorer for it.
Art is one of the candles of civilisation. If we abandon it, the bad guys win.
So, pick up that paintbrush. Open that Word document. Every stroke of paint or line of prose you make is a blow struck against entropy and ignorance, and a contribution to the net beauty of the world. You are not being self-indulgent, you are communicating – and communicating is what people do. We’re a social species, and we need you to help bring forth and express our shared inner lives. To add your voices to the chorus of those who have gone before, uncounted, into the darkness, and simply say to the universe, “WE ARE ALIVE!”No tags for this post.