Five Sci-fi Novels for People Who Don’t Like Sci-fi

If you’re a sci-fi writer or reader, it can be extremely frustrating and difficult to explain the genre’s appeal to colleagues, friends and loved ones who just “don’t get it”. Take my wife and my mother, for example. While they’ve both been incredibly supportive of my writing career to date, neither can honestly see the appeal of science fiction and I get the feeling both secretly wish I’d write something more “mainstream”.

So, if you have people in your life like this, what can you do to convert them?

The temptation is to shower them with the books you enjoyed when you first started reading sci-fi, way back when – books by writers such as Asimov, Clarke, Niven and Dick – in the hope they’ll see whatever it was you saw first time you read it, and become hooked on the genre the same way you did.

This is not a good idea.

Don’t use the classics. In most cases, the technology, sociology and sexual politics have dated so badly you’ll end up totally alienating your potential convert, despite your fond memories of the book. Better, I think, to start with something modern, something with which they can feel a connection. To this end, I’ve knocked together the list below -  a list of books which manage to combine science fiction tropes and themes with modern storytelling techniques and sensibilities.

In much the same way as Life on Mars and the new Battlestar Galactica attracted non-sci-fi audiences through their gritty storylines and examination of contemporary issues of terrorism and freedom, so these books may be capable of drawing in readers who wouldn’t normally expect to enjoy a sci-fi novel:

  1. 9Tail Fox by Jon Courtenay Grimwood. For viewers of Life on Mars and The Wire, this is an intriguing blend of crime drama and medical speculation, in which Sergeant Bobby Zha of the SFPD has to work out not only who murdered him, but also why he’s woken up in the body of a coma patient from New York.
  2. Little Brother by Cory Doctorow.  Written as an educational young adult novel, Little Brother shows a group of computer-savvy school children caught up in the aftermath of a terrorist attack on San Francisco, and tells how they fight to regain their civil liberties following a government crack-down.
  3. Nova Swing by M John Harrison. A generation ago, part of the mysterious Kefahuchi Tract fell to earth in the coastal city of Saudade. Now, years later, Vic Serotonin makes his living guiding tourists into the event site – a place where the laws of geometry and causality have assumed a dream-like elasticity. To Vic, the event site is a puzzle and an obsession – one that literally spills over into the external world when he illegally smuggles an unstable artefact out of the zone.
  4. Altered Carbon by Richard Morgan. Morgan takes Raymond Chandler’s The Big Sleep and projects it several hundred years into the future, delivering a violent and absorbing mystery set on the streets of Bay City.
  5. Jennifer Government by Max Barry. A no-holds-barred satire on multinational big business, Jennifer Government starts with marketing executives shooting teenagers in order to give their new line of trainers some “street cred”.

This isn’t an exhaustive list. There are other “gateway” books out there that could lure the unsuspecting into an appreciation of science fiction – books like The Time Traveller’s Wife or The Road, which use the tools of sci-fi to add spice to apparently “mainstream” novels.

But what do you think? Which books have I missed? Drop your suggestions in the comments below…

Friday Fiction

This is a sneak preview of a story that will appear in the forthcoming anthology Conflicts from NewCon Press. The full story is around 5,000 words long. This is the opening scene:

FALLOUT
By Gareth L Powell

Despite what was to come, the day started well. An hour before sunrise they landed the rented jet at a decommissioned RAF base in Wiltshire, near Swindon. It was a cold morning and frost glittered on the grass at the edge of the runway.
Continue reading “Friday Fiction”

Albedo One Reviews Future Bristol

“Incredibly ambitious… the quality of the writing and the ideas presented, and that they are irrevocably connected with Bristol is why these stories work so well. Spectacular.”

Link to Future Bristol on Amazon.

Secret Story Sale

After recently selling stories to Future Bristol and Conflicts, I’ve had yet another short story accepted for a forthcoming anthology – but this time, I can’t tell you which one, as the editor wants to keep the contents quiet for the moment…

Nearly Sold Out

last-reef-cover-smallAccording to Andrew Hook, Elastic Press have only around thirty paperback copies of my short story collection left in stock. If you want to get hold of one, you’d better act now. Once these last few copies are gone, that’s it. Elastic Press are closing down, so there won’t be a reprint.

You can order direct from Elastic Press or via Amazon.

Social Networking: Twitter Vs Facebook

I’ve recently heard a number of conversations debating the relative merits of Twitter and Facebook. I use both sites, and find them both extremely useful as social networking tools. Until recently, I had a widget that let Twitter automatically update my Facebook status. However, it was jamming up the newsfeeds of my Facebook friends, so I removed it.

I use Twitter to talk to friends and build contacts in the publishing world. I post links to interesting articles, retweet inspirational quotes, and occasionally link back to new posts my website. If someone starts following me on Twitter, the chances are I’ll follow them back. However, the thing you have to remember about Twitter is that it’s a public forum, and anyone can read your updates, so it’s best to think twice before bitching and moaning.

I have a Facebook profile and a Facebook page. A Facebook page is different from a profile in a number of ways: It’s visible to everyone, not just your friends, and anyone can become a “fan” simply by clicking a link on the page – which means your page will be listed on their profile. There’s no limit to the number of fans you can have. You can post artwork, links and photos on your page, and you can send updates to all your fans in one go.

I use my Facebook profile to keep in touch with friends and family. I also use it to network with editors, agents, publishers, and other writers. It’s slightly more private than Twitter, as I’ve tweaked the privacy settings on my profile so that my updates and activities are visible only to people on my “friends” list.

In addition, I use a number of other sites, including LinkedIn, Goodreads, and Red Room. Each one has a particular purpose, so I use each one slightly differently. For instance, I use LinkedIn  as a kind of online CV, to which I can point prospective employers;  whereas I use Goodreads to attract potential new readers. It wouldn’t do to mix the two together. As with any other sort of tool, you have to select the right website for the task you wish to accomplish.

Back Home After Eastercon

I just returned from four days at Eastercon in Bradford. I’m unpacking, looking after the kids, and sorting through all the notes and business cards I accumulated. Normal service will be resumed shortly…

In the meantime, please feel free to follow my updates on Twitter: http://twitter.com/garethlpowell, where I’ll be posting general news, inspiring quotes, and links to useful and/or cool stuff.

Novel Synopsis

I have written a detailed 3000 word synopsis for my new novel.

Preparing for EasterconLX

I’m thinking about the topics of the three panel discussions I’m going to be involved with at Eastercon. They are:

1) Dr Horrible’s Internet Phenomenon – Fri, 20:00
Does the success of Dr Horrible herald a new era in television, of independent internet-distributed productions, or do you need to be Joss Whedon and have his money and fanbase to succeed?
Participants: Jane Killick (moderator), Dave Mansfield, David Devereux, Uri Aviv, Gareth L Powell

2) The author and their work  - Sat, 10:00
Can you still enjoy books by an author whose views you disagree with? Is this harder to manage in the age of blogs and increasing contact with authors?
Participants: Gareth L Powell (moderator), Anton Marx, Maura McHugh, Stephen Deas, Cory Doctorow

3) SF as protest literature - Sat, 17:00
Science fiction has a long tradition of  stories written as a reaction to current events, such as V for Vendetta, Czech and Russian SF, and the reaction to terrorist legislation. Can SF have any impact?
Participants: David Barnett (moderator), Ken MacLeod, David Lloyd, Gareth L Powell, Jon Courtenay Grimwood

What’s your view? Do you agree or disagree with any of these questions? Are there points you’d like me to make or questions you’d like me to ask the other panelists? Let me know by leaving a comment ...

Future Bristol on Amazon

The Future Bristol anthology is now available to order from Amazon.co.uk and Amazon.com. It contains the following stories:

  1. Liz Williams ~ Isambard’s Kingdom
  2. John Hawkes-Reed ~ The Guerilla Infrastructure HOWTO
  3. Stephanie Burgis ~ After The Change
  4. Joanne Hall ~ Pirates of the Cumberland Basin
  5. Nick Walters ~ Trespassers
  6. Christina Lake ~ A Tale of Two Cities
  7. Colin Harvey ~ Thermoclines
  8. Gareth L Powell ~ What Would Nicolas Cage Have Done?
  9. Jim Mortimore ~ The Sun In The Bone House

See here for a review of the book: Link to The Fix

Older posts »